Je vais maintenant m'atteler à le remettre à niveau avec un changement de chimiques, un éclairage des vumètres, un remplacement des supports merdiques par des tulipes, etc...
Remarque: normalement il y a des poignées mais je les ai virées car le look "sono" c'est pas mon truc.
Dans le même genre j'avais également fabriqué un dbx basé sur un schéma trouvé dans électronique pratique, mais également non utilisé ensuite pour la même raison qu'évoquée ci-dessus....
La doc:
"The High Com noise reduction system was developed by Telefunken, Germany, in the 1970s as a high quality high compression analogue compander for audio recordings.
While implemented in dozens of European and Japanese consumer device models and acoustically much superior to the Dolby B and C systems, the High Com family of systems never gained a similar market penetration. This was caused by several factors, including the existing pre-dominance of the Dolby system, with Dolby Laboratories introducing the "good enough" Dolby C update (with up to 15 dB A-weighted improvement) around 1980 as well, and also by the fact that High Com required higher quality tape decks and tapes to work with in order to give satisfactory results. High Com II even required calibration of the playback level using a 400 Hz calibration tone for optimum results, and with prices in the several hundred dollars for the external Nakamichi compander box it was much too expensive to be used by many people outside the small group of audiophiles using high-end tape recorders or open-reel decks. When AEG-Telefunken struggled financially in 1981/1982[1] and the Hannover development site was partially disbanded and refocused on digital technologies in 1983,[1] this also put the High Com development to an end. The latest tape decks to come with High Com were produced around 1986. (http://en.wikipedia.org/wiki/High_Com)"
Belle bête 
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